Search: Starring Emma Thompson

Although we are talking age old themes here – first love, dodgy geezers, questions of class – the material is spectacularly well handled.

While Brave may occasionally shy away from darker territory in order to retain its appeal for even the youngest of audiences, there are still plenty of 'big' ideas here for small minds to think about.

You see the money on the screen, which is good, but not the love

Feeling like watered-down Curtis, the jokes frequently fall flat and you keep waiting for the big laughs that we know he can deliver.

A jewel unpolished is still a jewel, and there are treasures here for those patient enough to seek them out.

Zellweger has impeccable comedic timing and the many small and big risks she takes with Bridget pay off.

The oddities don't add up to anything and the love story between Adam and Helene is as predictable as it is sad.

Intelligent, disciplined, elegant and closely guarded in matters of privacy

A serviceable thriller with a good bit more soul than most.

Despite the obligatory happy ending, Dead Again is an enjoyable experience.

A beautifully rendered film with oodles of character.

It is funny, sharp, and like the best of the short film genre – all creds to director Jack Cooper Stimpson - pretty much every second works towards sketching a neat, clear picture of the issues with minimal lines.

Inevitably, there is a slight air of the stage about this and an emotional gear change at the midway point doesn't quite feel fully earned but the actors so fully inhabit these roles that they carry you with them.

The Order Of The Phoenix is the best in the series.

It's such a pleasure to see a real children's film by a real filmmaker.

Thompson exudes strength from start to finish.

If you're looking for something to while away a weekday evening or waste a carefree afternoon, you're in for a treat.

Robert Carlyle's directorial debut adapts Douglas Lindsay's novel detailing the life and crimes of Barney Thomson with real panache and wit.

Memo to filmmakers: If you’re looking for a failsafe plan to make a delightful film, try showcasing the breadth of Emma Thompson’s talents.

It feels middle-aged, lazy and reliant on stereotype.

it's the dialogue that really takes centre stage and here this Look Back In Anger really shines.

You ache for Cary Grant and Katharine Hepburn to show them how this is done

The balance of the super real with intricately timed artifice and how they collapse into each other is Baumbach's crown achievement.

Whether the stars will align for the rejuvenated franchise is unclear, but for now there's a surprising amount of extraterrestrial fun to be had here.

Whether you’re a fan of the company’s work specifically or simply interested in the history of cinema, this portrait of its longest-lasting partnership will delight and entertain you.

The movie becomes ridiculous.

The ideas are presented in a crisp, unfussy way by James Ivory. He’s working with an intelligent script by Ruth Prawer Jhabvala, and two impeccable central performances by Hopkins and Thompson.

The end result, though well-mounted and featuring knock-the-soot-out-of-your-chimney performances from Emma Thompson as Travers and Tom Hanks as the movie mogul, feels more like a Disney theme park version of events than the real story.

A superb testament to inventiveness.

The sentimental stuff works for a change.

One of the hardest things to find to recommend to people is a good mainstream film, not aimed at children, that involves no violence or untimely death - this is a charming example of that rare breed, may they never become extinct.

Well made and with an incredibly powerful central performance.